Return of the Sun
Rebirth of the Sun
Thirty years ago, the Consort and I were invited to be artists-in-residence at New York’s Cathedral of St. John the Divine. We aspired to create music appropriate to this extraordinary acoustic space–two football fields long and tall enough to accommodate the Statue of Liberty.
I dreamed of presenting a musical celebration that could resonate with all people regardless of background or age. It occurred to me that the most universal milestone we could celebrate would be the winter solstice.
Over the years, this event has become a shared rite of passage through the longest night of the year. The Cathedral’s all-embracing vastness overwhelms our differences, and yet welcomes and affirms our diversity. Of all the places I’ve played in America, only two could host a concert on this scale: the Cathedral and the Grand Canyon.
Traditionally, Solstice has been a time of reflection, gratitude, forgiveness and renewal. My aspiration is that the audience will come away with their spirits awakened, and with a deepened sense of relatedness to the family of life, to the Earth, and perhaps even to the cosmos. As we approach our 30th annual production, I still have this sense of anticipation. Please join us, along with our special guests Russia’s Dmitri Pokrovsky Ensemble and New York’s Forces of Nature Dance Theatre Ensemble, as we celebrate the rebirth of the sunThirty years ago, the Consort and I were invited to be artists-in-residence at New York’s Cathedral of St. John the Divine. We aspired to create music appropriate to this extraordinary acoustic space–two football fields long and tall enough to accommodate the Statue of Liberty.
Thirty years ago, the Consort and I were invited to be artists-in-residence at New York’s Cathedral of St. John the Divine. We aspired to create music appropriate to this extraordinary acoustic space—two football fields long and tall enough to accommodate the Statue of Liberty.
I dreamed of presenting a musical celebration that could resonate with all people regardless of background or age. It occurred to me that the most universal milestone we could celebrate would be the winter solstice.
Over the years, this event has become a shared rite of passage through the longest night of the year. The Cathedral’s all-embracing vastness overwhelms our differences, and yet welcomes and affirms our diversity. Of all the places I’ve played in America, only two could host a concert on this scale: the Cathedral and the Grand Canyon.
Traditionally, Solstice has been a time of reflection, gratitude, forgiveness and renewal. My aspiration is that the audience will come away with their spirits awakened, and with a deepened sense of relatedness to the family of life, to the Earth, and perhaps even to the cosmos. Please join us, along with our special guests Russia’s Dmitri Pokrovsky Ensemble and New York’s Forces of Nature Dance Theatre, as we celebrate the rebirth of the sun.
For living music, Paul Winter
Rebirth of the Sun
Thirty years ago, the Consort and I were invited to be artists-in-residence at New York’s Cathedral of St. John the Divine. We aspired to create music appropriate to this extraordinary acoustic space–two football fields long and tall enough to accommodate the Statue of Liberty.
I dreamed of presenting a musical celebration that could resonate with all people regardless of background or age. It occurred to me that the most universal milestone we could celebrate would be the winter solstice.
Over the years, this event has become a shared rite of passage through the longest night of the year. The Cathedral’s all-embracing vastness overwhelms our differences, and yet welcomes and affirms our diversity. Of all the places I’ve played in America, only two could host a concert on this scale: the Cathedral and the Grand Canyon.
Traditionally, Solstice has been a time of reflection, gratitude, forgiveness and renewal. My aspiration is that the audience will come away with their spirits awakened, and with a deepened sense of relatedness to the family of life, to the Earth, and perhaps even to the cosmos. As we approach our 30th annual production, I still have this sense of anticipation. Please join us, along with our special guests Russia’s Dmitri Pokrovsky Ensemble and New York’s Forces of Nature Dance Theatre Ensemble, as we celebrate the rebirth of the sunThirty years ago, the Consort and I were invited to be artists-in-residence at New York’s Cathedral of St. John the Divine. We aspired to create music appropriate to this extraordinary acoustic space–two football fields long and tall enough to accommodate the Statue of Liberty.
Thirty years ago, the Consort and I were invited to be artists-in-residence at New York’s Cathedral of St. John the Divine. We aspired to create music appropriate to this extraordinary acoustic space—two football fields long and tall enough to accommodate the Statue of Liberty.
I dreamed of presenting a musical celebration that could resonate with all people regardless of background or age. It occurred to me that the most universal milestone we could celebrate would be the winter solstice.
Over the years, this event has become a shared rite of passage through the longest night of the year. The Cathedral’s all-embracing vastness overwhelms our differences, and yet welcomes and affirms our diversity. Of all the places I’ve played in America, only two could host a concert on this scale: the Cathedral and the Grand Canyon.
Traditionally, Solstice has been a time of reflection, gratitude, forgiveness and renewal. My aspiration is that the audience will come away with their spirits awakened, and with a deepened sense of relatedness to the family of life, to the Earth, and perhaps even to the cosmos. Please join us, along with our special guests Russia’s Dmitri Pokrovsky Ensemble and New York’s Forces of Nature Dance Theatre, as we celebrate the rebirth of the sun.
For living music, Paul Winter
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