Check out this website:
http://earthgroup.viviti.com/environmental-issues-blog
Sunday, November 15, 2009
THE YELLOW MONSTER (trailer)
Friday, November 13, 2009
"William Kunstler: Disturbing the Universe" - California Documentary Festival Opening Night
Timing is everything.....and this documentary is timely.
peace
This is such an awesome piece....watch the interview...and feel something ..something real.
“William Kunstler: "Disturbing the Universe”:
Listen to the Interview at Democracy Now...here:
New Documentary Examines Life, Legacy of Famed Radical Attorney
A new documentary looks at a man once described as the most hated and most loved lawyer in America: the late William Kunstler. We play excerpts of William Kunstler: Disturbing the Universe and speak to the film’s co-directors, Kunstler’s daughters Emily and Sarah Kunstler.
A new documentary looks at a man once described as the most hated and most loved lawyer in America: the late William Kunstler. We play excerpts of William Kunstler: Disturbing the Universe and speak to the film’s co-directors, Kunstler’s daughters Emily and Sarah Kunstler.
Go to the website here....http://www.disturbingtheuniverse.com/Press.html
Hoodwinked: Former Economic Hit Man John Perkins Reveals Why the World Financial Markets Imploded—and How to Remake Them CHECK OUT HIS WEBSITE: http://www.johnperkins.org/
LISTEN TO THE INTERVIEW http://www.democracynow.org/2009/11/10/hoodwinked_former_economic_hit_man_john
LISTEN TO THE INTERVIEW http://www.democracynow.org/2009/11/10/hoodwinked_former_economic_hit_man_john
John Perkins calls himself a former economic hit man. He has seen the signs of today’s financial meltdown before. The subprime mortgage fiasco, the collapse of the banking industry, the rising unemployment rate—these are all familiar to him. Perkins was on the front lines of monitoring and helping create these very events that were once just confined to the Third World. From 1971 to 1981, he worked for the international consulting firm of Chas T. Main, where he was a self-described “economic hit man.” He is the author of the New York Times bestseller Confessions of An Economic Hit Man and The Secret History of the American Empire. [includes rush transcript]
Wednesday, November 11, 2009
this is a excellent interview....gives information and possibilites....Listen......... http://lauraflanders.firedoglake.com/2009/11/11/live-at-noon-our-future-what-can-we-do/
How much control does the President really have, anyway? Americans voted for change and are getting frustrated with the lack of it, but our guests have both written about the powerful forces holding the status quo in place. John Perkins is the author of Hoodwinked and Confessions of an Economic Hit Man, and has written about how corporations push politicians around and even threaten them with violence. Russ Baker, meanwhile, is the author of Family of Secrets: The Bush Dynasty, the Powerful Forces That Put It in the White House, and What Their Influence Means for America and has written extensively about the military-industrial complex.
In the new film Collapse, filmmaker Chris Smith follows Michael Ruppert as he raises the alarm again and again on the financial crisis, energy, the environment, and more. Is he a genius, or just paranoid? And with all this scary information out there, what can citizen activists do?
How much control does the President really have, anyway? Americans voted for change and are getting frustrated with the lack of it, but our guests have both written about the powerful forces holding the status quo in place. John Perkins is the author of Hoodwinked and Confessions of an Economic Hit Man, and has written about how corporations push politicians around and even threaten them with violence. Russ Baker, meanwhile, is the author of Family of Secrets: The Bush Dynasty, the Powerful Forces That Put It in the White House, and What Their Influence Means for America and has written extensively about the military-industrial complex.
In the new film Collapse, filmmaker Chris Smith follows Michael Ruppert as he raises the alarm again and again on the financial crisis, energy, the environment, and more. Is he a genius, or just paranoid? And with all this scary information out there, what can citizen activists do?
Kermit and Elmo LOUD and QUIET - Classic Sesame Street
Kermit the frog here.......i love these skits.....
HAPPY BIRTHDAY TO MY FAVORITE PROGRAMMING OF ALL TIME....I WISH BACK TO A TIME WHEN PEOPLE MATTERED MORE THAN MONEY...WHEN CHILDREN MATTERED MORE THAN FAME....WHEN LIFE WAS REAL AND SIMPLE....I HONOR THE ROAD PAVED BY THE PEOPLE AND ENERGY THAT BROUGHT US SESAME STREET.... "come and play..everything is a-ok". and a big thank you to Google...who also honored this wonderful amazing superb idea and energy. the history as provided by Wikopedia ... "http://en.wikipedia.org/wiki/Sesame_Street
Up until the late 1960s, the use of television as an educational tool in the US was "unproven" and "a revolutionary concept".[2] In 1966, the Carnegie Institute hired Joan Ganz Cooney to study how the media could be used to help young children, especially those from low-income families, learn and prepare for school.[3][4] Cooney proposed using television's "most engaging traits",[5] including high production values, sophisticated writing, and quality film and animation, to reach the largest audience possible.[5] Cooney suggested creating a program that would spread prolearning values to both viewers and nonviewers (including their parents) that would affect them for many years after they stopped watching it.[6]
Sesame Street custom Children's Television Workshop logo used in seasons 1-13.
As a result of Cooney's initial proposal, the Carnegie Institute awarded her an $8 million grant to establish, in collaboration with Carnegie Institute vice-president Lloyd Morrisett, the Children’s Television Workshop (CTW) and create a new children's television program.[4][7] In 1968, millions more were invested by the Ford Foundation, the Corporation for Public Broadcasting, and the US federal government. Cooney began to assemble a team of producers: Jon Stone, Dave Connell and Sam Gibbon.[4] That summer, five three-day curriculum planning seminars, led by Harvard University professor Gerald S. Lesser, were conducted in Boston.[4][8] The seminars marked the beginning of Jim Henson's involvement in Sesame Street,[4] and provided the show's producers and writers with a "crash course in child development, psychology, and preschool education".[9] The new show, called the "Preschool Educational Television Show" in promotional materials, was built around an inner-city street, a choice that was "unprecedented".[10] The producers and writers could not come up with a name they liked "up until the last moment".[11] They finally settled upon the name they least disliked: Sesame Street, although they initially feared that it would be too difficult for young children to pronounce.[11]
Two days before the premiere of Sesame Street, a thirty-minute preview entitled This Way to Sesame Street was shown on NBC. The show was financed by a $50,000 grant from Xerox. Written by Stone and produced by CTW publicist Bob Hatch, it was taped the day before it aired.[12] Newsday called the preview "a unique display of cooperation between commercial and noncommercial broadcasters".[12] Sesame Street premiered on PBS on November 10, 1969.[13] The new show was praised from the start. As writer Michael Davis states, "...It became the rare children's show stamped with parental approval"
Sesame Street custom Children's Television Workshop logo used in seasons 1-13.
As a result of Cooney's initial proposal, the Carnegie Institute awarded her an $8 million grant to establish, in collaboration with Carnegie Institute vice-president Lloyd Morrisett, the Children’s Television Workshop (CTW) and create a new children's television program.[4][7] In 1968, millions more were invested by the Ford Foundation, the Corporation for Public Broadcasting, and the US federal government. Cooney began to assemble a team of producers: Jon Stone, Dave Connell and Sam Gibbon.[4] That summer, five three-day curriculum planning seminars, led by Harvard University professor Gerald S. Lesser, were conducted in Boston.[4][8] The seminars marked the beginning of Jim Henson's involvement in Sesame Street,[4] and provided the show's producers and writers with a "crash course in child development, psychology, and preschool education".[9] The new show, called the "Preschool Educational Television Show" in promotional materials, was built around an inner-city street, a choice that was "unprecedented".[10] The producers and writers could not come up with a name they liked "up until the last moment".[11] They finally settled upon the name they least disliked: Sesame Street, although they initially feared that it would be too difficult for young children to pronounce.[11]
Two days before the premiere of Sesame Street, a thirty-minute preview entitled This Way to Sesame Street was shown on NBC. The show was financed by a $50,000 grant from Xerox. Written by Stone and produced by CTW publicist Bob Hatch, it was taped the day before it aired.[12] Newsday called the preview "a unique display of cooperation between commercial and noncommercial broadcasters".[12] Sesame Street premiered on PBS on November 10, 1969.[13] The new show was praised from the start. As writer Michael Davis states, "...It became the rare children's show stamped with parental approval"
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